2005-02-19

Praying Drunk - Andrew Hudgins

Our Father who art in heaven, I am drunk.
Again. Red wine. For which I offer thanks.
I ought to start with praise, but praise
comes hard to me. I stutter. Did I tell you
about the woman, whom I taught, in bed,
this prayer? It starts with praise; the simple form
keeps things in order. I hear from her sometimes.
Do you? And after love, when I was hungry,
I said, Make me something to eat. She yelled,
Poof! You're a casserole! - and laughed so hard
she fell out of bed. Take care of her.

Next, confession - the dreary part. At night
deer drift from the dark woods and eat my garden.
They're like enormous rats on stilts except,
of course, they're beautiful. But why? What makes
them beautiful? I haven't shot one yet.
I might. When I was twelve I'd ride my bike
out to the dump and shoot the rats. It's hard
to kill your rats, our Father. You have to use
a hollow point and hit them solidly.
A leg is not enough. The rat won't pause.
Yeep!Yeep! it screams, and scrabbles, three-legged, back
into the trash, and I would feel a little bad
to kill something that wants to live
more savagely than I do, even if
it's just a rat. My garden's vanishing.
Perhaps I'll plant more beans, though that
might mean more beautiful and hungry deer.
Who knows?
I'm sorry for the times I've driven
home past a black, enormous, twilight ridge.
Crested with mist it looked like a giant wave
about to break and sweep across the valley,
and in my loneliness and fear I've thought,
O let it come and wash the whole world clean.
Forgive me. This is my favorite sin: despair-
whose love I celebrate with wine and prayer.

Our Father, thank you for all the birds and trees,
that nature stuff. I'm grateful for good health,
food, air, some laughs, and all the other things
I'm grateful that I've never had to do
without. I have confused myself. I'm glad
there's not a rattrap large enough for deer.
While at the zoo last week, I sat and wept
when I saw one elephant insert his trunk
into another's ass, pull out a lump,
and whip it back and forth impatiently
to free the goodies hidden in the lump.
I could have let it mean most anything,
but I was stunned again at just how little
we ask for in our lives. Don't look! Don't look!
Two young nuns tried to herd their giggling
schoolkids away. Line up, they called, Let's go
and watch the monkeys in the monkey house.

I laughed and got a dirty look. Dear Lord,
we lurch from metaphor to metaphor,
which is -let it be so- a form of praying.

I'm usually asleep by now - the time
for supplication. Requests. As if I'd stayed
up late and called the radio and asked
they play a sentimental song. Embarrassed.
I want a lot of money and a woman.
And, also, I want vanishing cream. You know-
a character like Popeye rubs it on
and disappears. Although you see right through him,
he's there. He chuckles, stumbles into things,
and smoke that's clearly visible escapes
from his invisible pipe. It makes me think,
sometimes, of you. What makes me think of me
is the poor jerk who wanders out on air
and then looks down. Below his feet, he sees
eternity, and suddenly his shoes
no longer work on nothingness, and down
he goes. As I fall past, remember me.

2005-02-18

Reckless Poem

Today again I am hardly myself.
It happens over and over.
It is heaven-sent.

It flows through me
like the blue wave.
Green leaves – you may believe this or not –
have once or twice
emerged from the tips of my fingers

somewhere
deep in the woods,
in the reckless seizure of spring.

Though, of course, I also know that other song,
the sweet passion of one-ness.

Just yesterday I watched an ant crossing a path, through the
tumbled pine needles she toiled.
And I thought: she will never live another life but this one.
And I thought: if she lives her life with all her strength
is she not wonderful and wise?
And I continued this up the miraculous pyramid of everything
until I came to myself.

And still, even in these northern woods, on these hills of sand,
I have flown from the other window of myself
to become white heron, blue whale,
red fox, hedgehog.
Oh, sometimes already my body has felt like the body of a flower!
Sometimes already my heart is a red parrot, perched
among strange, dark trees, flapping and screaming.

-- Mary Oliver

2005-02-17

Mantegna Vielleicht


Einmal im Halbschlaf . . . zwischen Nehmen und Geben
Habe ich meine Hände gesehn, ihre gelbrote Haut
Wie die eines Andern, einer Leiche im Schauhaus.
Beim Essen hielten sie Messer und Gabel, das Werkzeug
Des Kannibalen, mit dem die Jagd sich vergessen ließ
Und das Getöse beim Schlachten.
Leer wie der Teller
Lag eine Handfläche vor mir, der fleischige Ballen
Des letzten Affen, dem alles erreichbar geworden war
In einer Welt von Primaten. Mantegna vielleicht
Hätte sie unverklärt malen können in ihrer Grausamkeit,
Diese fettigen Schwielen.
Was war die Zukunft,
Die aus den Handlinien folgte, Glück oder Unglück,
Gegen den Terror der Poren, in denen der Schweiß stand
Wie die Legende vom stillen Begreifen auf einer Stirn.

-- Durs Grünbein
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Singing Softly To Me

Things seem so much better when
they're not part of your close surroundings.
Like words in a letter sent,
amplified by the distance.
Possibilities and sweeter dreams,
sights and sounds calling form far away,
calling from far away.

I didn't know you then, now did I girl?
I couldn't hear you singing softly to me.
I didn't know you then, now did I girl?
I didn't see the brave girl so near me.
I didn't know you then, now did I girl?
I couldn't hear you sing softly to me.

I wanted a mystery that couldn't be solved,
I wanted a puzzle with pieces missing.
I wanted a story that couldn't be told,
only the fishing part of fishing.

I didn't know you then, now did I girl?
I couldn't hear you singing softly to me.
I didn't know you then, now did I girl?
I didn't see the brave girl so near me.
I didn't know you then, now did I girl?
I couldn't hear you sing softly to me.

And now I find
it was you all the time.
I'm in love again-
it's too late now...

-- Kings of Convenience

2005-02-13

Plej

Kings of Convenience

Röyksopp

.

For my husband

The Japanese maple
Our house leaning into the next
The photo of you on this wall
Rake over shoulder
Your back to apple trees and pond
And me taking the picture
As you walked away

How much longer
Can you last without water
Fig trees sparse

The desert you walked to without me
Leaving me this swollen field, half creek
The plague, the sun, everything
so ripe

-- Martha Rhodes