I want to love you madly!
(I want to love you now!)

-- the girl in the short skirt and the long jacket

Intermission

They're feeding each other, two small birds
swiveling on a sea-stone, open beaks
kissing and closing—creatures seeing to each
other's needs without question, drawing
the big world into their brief circle
of wing-quiver, heart-shiver, quick cries
as if the nerves themselves gave tongue,
the path between desire and satisfaction
shorter than thought, the ground dividing
being from being—one flesh-protected
spark of life from another—covered
in no time, so even time, for the moment,
is a matter of no moment, smoke that
vanishes into air, into thin air, to leave
but a flaring thing behind—candescent,
burning its one good instant till all is ash,
redemptive breath recovering itself,
eyes seeking in eyes an answer
to what's happened. The fire at the heart
of things is what these two birds ignite
in their give and take, saying we live
in the one world—where some law of
loving exchange is what tends the blaze
and can startle us into a kind of intermission
of peace between two clamorous cliff-
crumbling waves that rear break roar and
rip to shreds a coast of stone, unsettling
the air we stand in with a surf-storm of
salt-light that bites our eyes, blinding them.

-- Eamon Grennan

pavement done been poundt

Four W-2s this year.

It'll be Mondays instead, but -- foxtrot and tango, bachata and merengue, cha cha cha! Dance night the first went swimmingly. Big half-empty ballroom, Anastasia in her three-inch heels and snow falling all the while. (Revelations: Sidney is a natural; I have hips [who knew?]; and the Center for the Arts has more than one entrance.) Practicing this morning, I beat poundcake batter to last night's music in this morning's sunshine.

Fox Trot Fridays

Thank the stars there’s a day
each week to tuck in

the grief, lift your pearls, and
stride brush stride

quick-quick with a
heel-ball-toe. Smooth

as Nat King Cole’s
slow satin smile,

easy as taking
one day at a time:

one man and
one woman,

rib to rib,
with no heartbreak in sight—

just the sweep of paradise
and the space of a song

to count all the wonders in it.

-- Rita Dove

God's Ode to Creation

Now there shall be tum-tiddly-um, and tum-tiddly-um,
hey—presto! scarlet geranium!
    — D.H. Lawrence

Today's the kind of day when I feel good
about that dazzling stuff I've made down there,
everything so mixed up that even lies
turn out to be the truth. The legendary
amaranth, for example, somebody insists
they saw it growing down in Hell, and presto!
not only does it have a genus, and seeds,
but a real chemical formula so everyone
can dye their underwear dark purplish red.
You give me credit for the natural,
flame trees, tansy, sleek dangerous leopards,
and even tiny mites like the golden neotode
worming down into the rich potato plant,
the jerboa, the zoon, and the stargazer perch,
but I'm the author of the artificial, too,
those bolts of homespun Khaddar cloth, and guns,
concertos by Mozart, and tiny micro chips.
I've always loved the way the invisible
gets to be visible, my big winds measured
by the Beaufort Scale, so that a sailor
blown off course by Force 11 knows
the velocity of the storm that downed his ship
and understands, as he slowly starves to death
on a rocky desert island without coconut palms,
that the time between new moons, lunation,
is divided into 29 days, 12 hours,
44 minutes and 2.8 seconds.
                                                     What glorious precision!
It's too bad, I know you're thinking, that my rules
don't allow me to help that sunburned sailor
and I do regret that a Java sparrow didn't drop
some seeds from the mainland two centuries ago
so that a bunch of fruit trees could take root.
No need to impute malevolence to me,
or even indifference, for I feel bad
about what happens most days, looking down
at another execution in Huntsville,
sighing over another quake in Turkey.
But today the blue planet, wreathed in clouds,
looks extra lovely as it spins through space,
and I want a little praise for my handiwork,
my fleecy altocumulus, my silvery mists,
even that fancy stuff you built for me,
pagodas, skyscrapers, the Eiffel Tower.
Prayers are rare these days—instead I get
millions of poems constructed out of words
that sizzle in three thousand languages,
a few of them paeans, but most ironic jabs.
But do I zap the ones who mock? I don't.
At night I see them sweat and yearn, dreaming
of that one thing I never made, and won't.

-- Maura Stanton