Travel
I have never been to Buenos Aires or Juan-les-Pins
for that matter, except in the dark
'40s and '50s films — and it was never Jean Seberg or
Ingrid Bergman who ran up to me, shaking
the gold ocean from her short hair, looking into my eyes
with all the lost minutes a black & white sea
withheld. Yet I recall the tangerine suns and sapphire
lagoons on postcards of French Polynesia,
awash in junk shop drawers, and a lavish night sky
over Yosemite, that deep blue table cloth
and the bread-crumb stars spinning evenly away from us
toward a barricade of bright islands
we are never going to see. In this way, we received
more darkness than light — the 10%
that escaped on the blast at the start, our souvenir
of somewhere we've never been. Dreamers,
walkers in our easy sleep, we unfolded our arms and
filled them with the lost destinations,
the local outskirts of the air, with the last image of the sea
which compares us to clouds under sail,
in transit to who knows where. Sundown, and the shore
birds head homeward with the song
that first pulled them away — the sky, like everything,
still unresolved. You can hear the dark
rustling overhead, the sky we can never return to, empty-
handed as we are with only our obvious
hearts as guide. Any way you look at it, it's a long way
to go to have only come this far.
-- Christopher Buckley
I have never been to Buenos Aires or Juan-les-Pins
for that matter, except in the dark
'40s and '50s films — and it was never Jean Seberg or
Ingrid Bergman who ran up to me, shaking
the gold ocean from her short hair, looking into my eyes
with all the lost minutes a black & white sea
withheld. Yet I recall the tangerine suns and sapphire
lagoons on postcards of French Polynesia,
awash in junk shop drawers, and a lavish night sky
over Yosemite, that deep blue table cloth
and the bread-crumb stars spinning evenly away from us
toward a barricade of bright islands
we are never going to see. In this way, we received
more darkness than light — the 10%
that escaped on the blast at the start, our souvenir
of somewhere we've never been. Dreamers,
walkers in our easy sleep, we unfolded our arms and
filled them with the lost destinations,
the local outskirts of the air, with the last image of the sea
which compares us to clouds under sail,
in transit to who knows where. Sundown, and the shore
birds head homeward with the song
that first pulled them away — the sky, like everything,
still unresolved. You can hear the dark
rustling overhead, the sky we can never return to, empty-
handed as we are with only our obvious
hearts as guide. Any way you look at it, it's a long way
to go to have only come this far.
-- Christopher Buckley