2004-03-11

If you love somebody better set them on fire

Former Dead Milkman Dave Blood has gone to the zoo.

(Those of you in central Georgia might want to give "Right Wing Pigeons" a listen.)
An intersection. Fifty-three. Two. Lexington at 93rd.


My Story in a Late Style of Fire

Whenever I listen to Billie Holiday, I am reminded
That I, too, was once banished from New York City.
Not because of drugs or because I was interesting enough
For any wan, overworked patrolman to worry about-
His expression usually a great, gauzy spiderweb of bewilderment.
Over his face-I was banished from New York City by a woman.
Sometimes, after we had stopped laughing, I would look
At her & see a cold note of sorrow or puzzlement go
Over her face as if something else were there, behind it,
Not laughing at all. We were, I think, "in love." No, I'm sure.
If my house burned down tomorrow morning, & if I & my wife
And son stood looking on at the flames, & if, then,
Someone stepped out of the crowd of bystanders
And said to me: "Didn't you once know??" No. But if
One of the flames, rising up in the scherzo of fire, turned
All the windows blank with light, & if that flame could speak,
And if it said to me: "You loved her, didn't you?" I'd answer,
Hands in my pockets, "Yes." And then I'd let the fire & misfortune
Overwhelm my life. Sometimes, remembering those days,
I watch a warm, dry wind bothering a whole line of elms
And maples along a street in this neighborhood until
They're all moving at once, until I feel just like them,
Trembling & in unison. None of this matters now,
But I never felt alone in that year, & if I had sorrows,
I also had laughter, the affliction of angels & children.
Which can set a whole house on fire if you'd let it. And even then
You might still laugh to see all of your belongings set you free
In one long choiring of flames that sang only to you-
Either because no one else could hear them, or because
No one else wanted to. And, mostly, because they know.
They know such music cannot last, & that it would
Tear them apart if they listened. In those days,
I was, in fact, already married, just as I am now,
Although to another woman. And that day I could have stayed
In New York. I had friends there. I could have strayed
Up Lexington Avenue, or down to Third, & caught a faint
Glistening of the sea between the buildings. But all I wanted
Was to hold her all morning, until her body was, again,
A bright field, or until we both reached some thicket
As if at the end of the lane, or at the end of all desire,
And where we could, therefore, be alone again, & make
Some dignity out of loneliness. As, mostly, people cannot do.
Billie Holiday, whose life was shorter & more humiliating
Than my own, would have understood all this, if only
Because even in her late addiction & her bloodstream's
Hallelujahs, she, too, sang often of some affair, or someone
Gone, & therefore permanent. And sometimes she sang for
Nothing, even then, & it isn't anyone's business if she did.
That morning, when she asked me to leave, wearing only
That apricot tinted, fraying chemise, I wanted to stay.
But I also wanted to go, to lose her suddenly, almost
For no reason, & certainly without any explanation.
I remember looking down at a pair of singular tracks
Made in a light snow the night before, at how they were
Gradually effacing themselves beneath the tires
Of the morning traffic, & thinking that my only other choice
Was fire, ashes, abandonment, solitude. All of which happened
Anyway, & soon after, & by divorce. I know this isn't much.
But I wanted to explain this life to you, even if
I had to become, over the years, someone else to do it.
You have to think of me what you think of me. I had
To live my life, even its late, florid style. Before
You judge this, think of her. Then think of fire,
Its laughter, the music of splintering beams & glass,
The flames reaching through the second story of a house
Almost as if to-mistakenly-rescue someone who
Left you years ago. It is so American, fire. So like us.
Its desolation. And its eventual, brief triumph.

-- Larry Levis

2004-03-09

you can call off the letter-writing campaign

Just in time for the apex of Walmart-driven Passion Fever: Schindler's List is finally out on DVD.

Nice timing, Mr. Spielberg. I've preordered my copy.

(Now to find a bottle of wine and a couch akin to The Cloud...)
Sudden in a shaft of sunlight
Even while the dust moves
There rises the hidden laughter
Of children in the foliage
Quick now, here, now, always --
Ridiculous the waste sad time
Stretching before and after.

-- T.S.

2004-03-08

Cinquante-deux.


Le Verbe Être

Je connais le désespoir dans ses grandes lignes. Le désespoir n'a pas d'ailes, il ne se tient pas nécessairement à une table desservie sur une terrasse, le soir, au bord de la mer. C'est le désespoir et ce n'est pas le retour d'une quantité de petits faits comme des graines qui quittent à la nuit tombante un sillon pour un autre. Ce n'est pas la mousse sur une pierre ou le verre à boire. C'est un bateau criblé de neige, si vous voulez, comme les oiseaux qui tombent et leur sang n'a pas la moindre épaisseur. Je connais le désespoir dans ses grandes lignes. Une forme très petite, délimitée par un bijou de cheveux. C'est le désespoir. Un collier de perles pour lequel on ne saurait trouver de fermoir et dont l'existence ne tient pas même à un fil, voilà le désespoir. Le reste, nous n'en parlons pas. Nous n'avons pas fini de deséspérer, si nous commençons. Moi je désespère de l'abat-jour vers quatre heures, je désespère de l'éventail vers minuit, je désespère de la cigarette des condamnés. Je connais le désespoir dans ses grandes lignes. Le désespoir n'a pas de coeur, la main reste toujours au désespoir hors d'haleine, au désespoir dont les glaces ne nous disent jamais s'il est mort. Je vis de ce désespoir qui m'enchante. J'aime cette mouche bleue qui vole dans le ciel à l'heure où les étoiles chantonnent. Je connais dans ses grandes lignes le désespoir aux longs étonnements grêles, le désespoir de la fierté, le désespoir de la colère. Je me lève chaque jour comme tout le monde et je détends les bras sur un papier à fleurs, je ne me souviens de rien, et c'est toujours avec désespoir que je découvre les beaux arbres déracinés de la nuit. L'air de la chambre est beau comme des baguettes de tambour. Il fait un temps de temps. Je connais le désespoir dans ses grandes lignes. C'est comme le vent du rideau qui me tend la perche. A-t-on idée d'un désespoir pareil! Au feu! Ah! ils vont encore venir... Et les annonces de journal, et les réclames lumineuses le long du canal. Tas de sable, espèce de tas de sable! Dans ses grandes lignes le désespoir n'a pas d'importance. C'est une corvée d'arbres qui va encore faire une forêt, c'est une corvée d'étoiles qui va encore faire un jour de moins, c'est une corvée de jours de moins qui va encore faire ma vie.

-- André Breton
what is whiskey in the morning but a clear path to the door
what would uncle walt say to the silent floorboard?
hope?
hope.

2004-03-07

dar un chanclazo

Pajaro carta.

Remember a phone call out of nowhere, a rushed drive, a short walk? It was Florida's autumn, sunlight through leaves, afternoon. She'd told him I was home, to come over anytime. What ever happened to him? Such a nice boy. You grabbed my wrist and told me to look at you. You Don't Seem Very Upset About This.

My first tongue was lead and the second tongue had taken over. Please forgive it.

Remember a card without a return address? Yellow circles and a hole in the center. A perfect likeness. Can't wait to see you. Prometheus replied in my stead.

We had been not-speaking for some time when I saw him again. She called my name twice before I looked back at her, pulled the car back above the speed limit, breathed. I drove by again past a now empty bench. She left the house as I thawed in the bath.

I never heard you later, wrapped in blanket and blue flicker. My ears were mussel shells frozen to the lake bottom; I thought your breaking was the ice shifting and so could do nothing. Words thrown blind. Dark behind the swinging lamp.
2:45 a.m. in St. Ides' Heaven

I can't believe someone's already living in her house.

De La Soul on an early-morning walk. Keeping the faith.

Full moon makes big eyes matching circles dark under highlights greenblue.