Evolution
Lambertsbaii, South Africa, 1992
A girl scoops up a barnacle still sealed, sleek as a liver, glossy-black.
Her fingers trace its ear-like curve, wrench it open.
Down the beach, shell-pink children wade through tidepools, lift
long flamingo legs
over kinked ropes of seaplants shining
with tide-froth, over unhinged barnacles, deep
bruises on the sand. She drops the shell-winged body
foaming to the beach benchmarked by the tide's endless
starting over, erasing
the margin of regret. Yesterday I saw nothing
but fog, the last
wintery breath of every creature on earth or all the dead
risen, clouding the blue mirror held
over the pale lip of sand. Or the barrier
of my own breath, that pearl wall. She drifts
until the cloud of her body
dissolves into sand. Until we are not
this skin, not flesh tangled with fishing-line nerves, feathery
weeds of blood, but petrified foam drifting the tongue of rock
alive with birds, pale cape gannets, dark cormorants,
penguins taking the first wobbling human steps to shore.
-- Sandra Meek
Lambertsbaii, South Africa, 1992
A girl scoops up a barnacle still sealed, sleek as a liver, glossy-black.
Her fingers trace its ear-like curve, wrench it open.
Down the beach, shell-pink children wade through tidepools, lift
long flamingo legs
over kinked ropes of seaplants shining
with tide-froth, over unhinged barnacles, deep
bruises on the sand. She drops the shell-winged body
foaming to the beach benchmarked by the tide's endless
starting over, erasing
the margin of regret. Yesterday I saw nothing
but fog, the last
wintery breath of every creature on earth or all the dead
risen, clouding the blue mirror held
over the pale lip of sand. Or the barrier
of my own breath, that pearl wall. She drifts
until the cloud of her body
dissolves into sand. Until we are not
this skin, not flesh tangled with fishing-line nerves, feathery
weeds of blood, but petrified foam drifting the tongue of rock
alive with birds, pale cape gannets, dark cormorants,
penguins taking the first wobbling human steps to shore.
-- Sandra Meek
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